Ocean of Her
18 - 24 April 2026
St Margaret's House, 3rd Floor Gallery - 151 London Road, Edinburgh
10am - 2pm daily or other times by appointment
Launch Event:
Saturday 18th April,
6-7pm Participatory guided experience (Free but must register: https://bit.ly/3PFac3o )
7-8pm reception (Free & open to the public)
OCEAN OF HER. APRIL 18TH-25TH
OCEAN OF HER. APRIL 18TH-25TH
Let’s create something meaningful together.
Ocean of Her is the newest body of work by artist and art psychotherapist Jessica Kirkpatrick. Supported by the RSA Blackadder Travel Award, this work in part responds to an immersive journey to Teotihuacan, Mexico, where she engaged in sacred site work and Toltec practices. This exhibition marks a threshold moment in Kirkpatrick’s practice—where her identities as artist, healer, and facilitator converge.
The paintings and drawings reflect a shift in her approach to art-making: embracing the kinaesthetic, haptic, and psychic dimensions of the canvas. Rather than pursuing aesthetic perfection or technical mastery, Kirkpatrick works through process, presence, and emotional truth. Each brush mark becomes an act of devotion—a tactile anchor into attentive awareness. The canvas functions not only as a surface for images but as a psychic frame in which sensation, memory, and intuition can unfold.
Ocean of Her—is the vast, generative force of feminine creativity. This ocean holds the full spectrum of experience: joy, rage, grief, sensuality, tenderness, and ecstasy. Historically, such emotional and intuitive intelligence has often been suppressed or dismissed. Through painting, Kirkpatrick reclaims these energies, allowing them to flow freely in raw, expressive forms. Imperfection is welcomed as the gold of humanity, creating space for complexity and authenticity.
Kirkpatrick is expanding her practice to offer therapeutic and creative services that use art-making as a pathway toward healing, self-understanding, and community connection. The participatory relational experience accompanying the exhibition offers a glimpse into this approach—inviting visitors to understanding art not simply as something to observe, but as a living process that can support expression, reflection, and transformation.
In a world increasingly fractured by conflict, oppression, ecological grief and collective trauma, Kirkpatrick’s work seeks to cultivate tenderness, care, and authenticity. Drawing on ancestral wisdom, ritual, and embodied creative practice, Ocean of Her invites viewers to pause, feel, and reconnect with the vast tidal intelligence of the creative psyche.
Ultimately, the exhibition is both a personal offering and a communal invitation: to witness, to participate, and to remember the deep currents of imagination, intuition, and emotional life that flow within us all.
OCEAN OF HER EXHIBITION IS AT SNT MARGARET’S HOUSE 151 LONDON RD. EH7 6AE. THIRD FLOOR GALLERIES
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OCEAN OF HER EXHIBITION IS AT SNT MARGARET’S HOUSE 151 LONDON RD. EH7 6AE. THIRD FLOOR GALLERIES *
GO to my instagram @Jessica_kirkpatrick_art
Works Going to Birmingham for "Home" exhibit at the Old Print Works
I am pleased to announce that I have some work going down to a show called Home down in Birmingham, open July 21st -August 3rd These are works out of my new series. I am the M
No More Nostalgia: No More Nostalgia: This is another building from Marin County, however in this case its context rests in connection to a grandiose mythological narrative about patriarchal religion handing over the baton to feminine spirituality. The characters to the left are appropriated out of a Giotto painting, and the feet are those of actress Blake Lively--Hollywood stars as our modern goddesses. This painting took on a life of its own as its meaning during the process of making, but I see the connection between the personal and the universal, and the individual life as an embodiment of universal themes.
The Bank: This piece depicts a bank in Marin county California--on the north of San Francisco Bay. Having spent my childhood here, I returned in 2014 to the area to live for a while. I was struck by how certain buildings triggered memory and nostalgia, and something about this 1960's era building made me recall running around as a wild teenager, waiting outside convenient stores to ask someone to buy fags, or meeting friends just to hang about. I took a snap off my iPhone but also used google street view screenshots to make an amalgam image reference. This means the painting is largely informed by the textures and qualities of the images I worked from. I glazed the painting and sanded and scraped it multiple times to give it a worn down, distressed look, somehow to show the tiredness of old memories that do not serve a purpose to your life in the present.
Looking Up: This piece is about longing for home. But she is on the outside looking in. Home and family represent both belonging and a fetishistic middle class consumerism and idealization of the family unit. The house looms, asserting itself as a symbol success behind a property line fence. The woman disappears into her role as mother--and they are but cartoons of real life. Of course much of this is based on my contradictory feelings of being home raising children and understanding my own desires for home, and a sense of normalcy. I express this sentiment in art, but in real life am living it. I think the main point of this painting is contradiction.
press release
The Old Print Works is proud to announce It’s first open-submission exhibition, HOME.
Featuring the work of fifteen, emerging contemporary artists.
While each practitioner retains the integrity of their vision, the work is linked through a
common thread, exploring the meaning of ‘home’.
Exhibiting a selection of painting’s from her series ‘The Connectivist’s Dilemma’, Jessica
Kirkpatrick explores the notion of home from both the real and the conceptual. Her ‘mashups’
of stereotypical suburban America and the Scottish landscape study the experience of
fragmentation during migration and the act of reconciling and assimilating oneself.
Through her work, Jessica explores the utopian desire for connection, community and
middle-class consumerism.
Whilst Matthew Humphreys, a filmmaker, photographer and the hearing child to two
profoundly deaf parents, draws on languages and communication embedded in social
relationships within his work, creating an installation based on his parent's living room, he
reconnects with his childhood experience.
Along with Sylvia Chan, who returned to her hometown in Hong Kong and captured the
juxtaposition of the cultures bustling, over-crowded streets and ingrained loneliness.
HOME investigates meaning through differing mediums, interpretations and ideologies.
Opening on the 21st July at 12 am in The Old Print Works, Upper Gallery, benefitting from
the factories classic, industrial architecture and vast, undisturbed natural light.
Surrounded by creative organisations, projects and in conjunction with ORT
Galleries ‘Schwarmerei Members Show’. Free entry and drinks.
For more information on selected artists featured, please visit the Old Print Works blog.
Let’s create something meaningful together.
Ocean of Her is the newest body of work by artist and art psychotherapist Jessica Kirkpatrick. Supported by the RSA Blackadder Travel Award, this work in part responds to an immersive journey to Teotihuacan, Mexico, where she engaged in sacred site work and Toltec practices. This exhibition marks a threshold moment in Kirkpatrick’s practice—where her identities as artist, healer, and facilitator converge.
The paintings and drawings reflect a shift in her approach to art-making: embracing the kinaesthetic, haptic, and psychic dimensions of the canvas. Rather than pursuing aesthetic perfection or technical mastery, Kirkpatrick works through process, presence, and emotional truth. Each brush mark becomes an act of devotion—a tactile anchor into attentive awareness. The canvas functions not only as a surface for images but as a psychic frame in which sensation, memory, and intuition can unfold.
Ocean of Her—is the vast, generative force of feminine creativity. This ocean holds the full spectrum of experience: joy, rage, grief, sensuality, tenderness, and ecstasy. Historically, such emotional and intuitive intelligence has often been suppressed or dismissed. Through painting, Kirkpatrick reclaims these energies, allowing them to flow freely in raw, expressive forms. Imperfection is welcomed as the gold of humanity, creating space for complexity and authenticity.
Kirkpatrick is expanding her practice to offer therapeutic and creative services that use art-making as a pathway toward healing, self-understanding, and community connection. The participatory relational experience accompanying the exhibition offers a glimpse into this approach—inviting visitors to understanding art not simply as something to observe, but as a living process that can support expression, reflection, and transformation.
In a world increasingly fractured by conflict, oppression, ecological grief and collective trauma, Kirkpatrick’s work seeks to cultivate tenderness, care, and authenticity. Drawing on ancestral wisdom, ritual, and embodied creative practice, Ocean of Her invites viewers to pause, feel, and reconnect with the vast tidal intelligence of the creative psyche.
Ultimately, the exhibition is both a personal offering and a communal invitation: to witness, to participate, and to remember the deep currents of imagination, intuition, and emotional life that flow within us all.
